《闪光少女》“重返十七岁” 徐璐穿制服领舞
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Filmmaker Michael Shanks explains to IndieWire how that final Alison Brie and Dave Franco union was created and his frustration that audiences now assume that skilled VFX work is just artificial intelligence at work.
Oh, Frosty
The filmmaker tells IndieWire all about that brilliant and bonkers snowman, how he almost returned for more fun at the film's end, and why most reboots suffer from being "fan fiction" of the original.
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It’s not just the actors who are playing it straight in "The Naked Gun"; the look, design, music, and stunts are '90s action film-worthy.
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Writer/director Scott Z. Burns spent six months working with AI on a "Contagion" sequel, and walked away from the experience with one big warning.
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With Omnes Collective, these Emerson grads found a way to make slower cinema on the cheap and grow an audience for films like “Christmas Eve in Miller’s Point.”
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Director and co-writer Jennifer Kaytin Robinson talks about finding a new look for the North Carolina fishing hamlet — by shooting in Australia.
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Katy Perry’s ‘Firework’ is perfect, but it took Aster trying hundreds of songs after not getting the rights to a Jay-Z track.
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Co-writer and director Jennifer Kaytin Robinson tells IndieWire about the pressure to find a cast that could live up to the iconic original.
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The filmmaker behind this summer's highly anticipated requel tells IndieWire about using the 1975 classic as a model and balancing serious ideas with popcorn entertainment.
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Lynch’s creative process was every bit as unique as his films.
Director Gareth Edwards takes IndieWire inside the special effects boat rig.
Living Lynch's Dream
Lynch hated what happened to “Twin Peaks: The Return” when it was mixed for broadcast TV. So he created a theatrical mix, knowing one day they’d show it in theaters. ?
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